Making a flute
Raw wood
Our precious wood is stored for many years until it can be used to make flutes.
Selection
Only the best wood is used – spiral-grained branches (right) are discarded.
Workpiece
A blank is turned into a roughly round workpiece.
Impregnation
The rounded and drilled workpieces are soaked and impregnated with hot linseed oil.
Bore
The bore is made with a reamer.
Preliminary turning
A lathe is used for the preliminary turning.
Turning
The shape is turned roughly on the turning lathe.
Final turning
The final shape is turned and then sanded down.
Staining
First staining process using acid and alkaline.
Staining and surface
Second staining process using plant dyes and covering with violin varnish.
Violin varnish
Several different processes of applying violin varnish and hardening it under UV light.
Finger holes
The position and size of the finger holes are crucial.
Cutting out the windway
The windway is cut out.
Labium
Labium is cut
Block
The block is fitted and then the recorder is played in and adjusted several times.
Keys
Our keys are generally made from silver and are intricately fitted by hand with utmost precision.
Embouchure
The embouchure is made using a knife and file with extreme precision- a very tricky process.
Stamp
Only perfect instruments are stamped with the sign of a unicorn.
Measurement control and trying-out
Measurement control is always necessary, even on finished instruments. Finished instruments are played and then reworked.